A LIFETIME IN PORTRAITS

A LITTLE ABOUT ME

A man taking a photo of himself in a mirror with a camera, wearing a black jacket, in a room with wooden beams and windows.
A man kneeling on the ground taking a photo of three young children walking in front of a mud house. Several women stand nearby, watching and smiling. The scene is outdoors with cloudy skies.

A LIFE WITH PEOPLE

Some people spend their lives building companies, caring for patients, raising families or pursuing a profession. I've been fortunate to spend mine photographing them. Over the years, portraiture has introduced me to entrepreneurs, doctors, artists, leaders and families from many walks of life. While their stories are all different, I've often found the same things beneath them. People trying their best, carrying responsibilities they seldom speak about, and making sense of the lives they've built. Every portrait begins with a conversation, and every conversation has quietly shaped the photographer I've become.

Two men talking in a camera store surrounded by camera bags on shelves.
A man in a suit standing in front of a camera and a softbox, preparing for a photoshoot in a studio with curtains and decorative windows.

THE PURSUIT OF FINER PORTRAITS

For a long time, I thought pursuing finer portraits meant refining my craft. Over the years, I've realised it also meant refining my judgement. Every portrait presents countless decisions, yet the most important ones are often the things left undone. Knowing when to direct and when to observe. When to simplify and when to leave things alone. Above all, learning to understand people more deeply before attempting to represent them. That quiet pursuit has gradually shaped both my philosophy and my work. It remains an ongoing pursuit rather than a destination, and continues to guide every portrait bearing the EJUNLOW® name.

A group of people on a film or photography shoot outdoors, with a vehicle in the background. They are gathered around a camera drone on a tripod, and some are adjusting or working with equipment.
A group of fifteen diverse people, some sitting and some standing, posing for a photo in front of black-and-white framed photographs on a white wall. The group includes men and women of various ages, some wearing glasses, casual clothing, and sneakers, with a wooden floor beneath them.

ACCOLADES

Over the years, my work has been commissioned by organisations, healthcare institutions and individuals across Singapore and beyond. I've had the privilege of serving as Vice-President of the Professional Photographers Association Singapore, teaching, judging and speaking internationally, and receiving the International Photographer of the Year award from the Federation of European Photographers. Recognition is encouraging, but the trust people place in me remains the greater honour.

A group of people sitting in a circle in a cozy room, engaging in a discussion or workshop with a man speaking. The room has soft lighting and a green and brown textured wall with a large round light fixture overhead.
A diverse group of eleven people, including men and women, is posing together in an indoor space with black and purple walls, with some seated and others standing, smiling at the camera.

PENTAPRISM

In 2014, I founded Pentaprism with the belief that portraiture deserves more than technical skill alone. Today, it is home to my portrait studio, educational programmes and a growing community of photographers committed to raising the standards of our profession one photographer at a time. Every portrait bearing the EJUNLOW® name is created here, guided by the same pursuit of genuine representation, careful judgement and thoughtful restraint.

MORE THAN A STUDIO

At my studio, I’ve envisioned a space that reflects both creativity and comfort—a boutique studio where every detail has been thoughtfully considered. My team and I work by appointment only, ensuring the time and attention that our guest deserves.

The 2200-square-foot space has been designed to inspire, with a professional studio for precision and a natural-light studio for spontaneity. It’s a place where my ideas can take shape and your stories can unfold. There are three makeup rooms, adjoining changing areas, a small pantry, and clean, comfortable washrooms—all there to make sure you feel at ease.

To me, this studio isn’t just a workspace; it’s a place where connections are built, and moments are captured.I look forward to welcoming you into our space.

Ejun Low Portrait Studio Singapore
A dimly lit modern interior with a long wooden bar counter, hanging light fixtures, and a decorative mirror at the end of the corridor.
Ejun Low Portrait Studio Singapore
Photography studio setup with a large softbox light on the left, a black backdrop in the center, and a brown padded stool in front of the backdrop. The lighting creates shadows on the plain concrete floor.
Ejun Low Portrait Studio Singapore
A modern living room with a white bed or couch against a beige wall, decorated with beige pillows, next to a small wooden side table with green potted plant, and a white console table holding a Marshall speaker, circular mirror, and various small decor items. There is a framed black and white photograph of a woman on the wall.
Ejun Low Portrait Studio Singapore
Empty room with large backlit mirror, black chairs, dartboard on wall, and window with blinds.
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